This opened the horizon of a great popular disorientation to understand the drastic vital transformations that occurred in the following decades. In another section of his essay, Piglia maintained that a "crisis of experience" marked the beginning of the 20th century and attributed it to the collapse of a liberal civilization that would have precisely resulted in the emergence of the artistic avant-garde as a cultural response.
If we project these reflections as an analysis model, they would lead us to think that the crisis of neoliberalism, which broke out in stages from the beginning of the 21st century and had its greatest economic expression around 2008, did not generate a new artistic vanguard but rather a series of reactionary formations of growing south africa phone number list roots in different latitudes. Without other paradigms to order the altered life of the population, it becomes vulnerable to more or less alienated and simple narratives about the disturbing influence of various powers on life: the threatening waves of migration, omnipresent crime, dark synarchies, the endemic corruption of the leaders, the oppressive state of some natural liberties or its intolerable fiscal pressure, among many others.
All this shapes what Alain Badiou recently called "a general disorientation about the world" and, like other commentators, he compares it with the one that prevailed in the West at the end of the belle époque when the first globalization ended and the Great War was approaching. It was precisely during the First World War that the first of the five conspiracy episodes that are projected until the end of the Second War and in which Evans concentrates on Hitler and conspiracy theories began.